The quaint shared bedroom of Martha and Giulia felt cozy and comfortable, while the darkroom for film development in the basement felt tense and foreboding. I've certainly never been to 1944-era Italy, but it was easy for me to get lost in the fantasy of this world because of how well set pieces were staged. The hyper-realistic graphical style in Martha is Dead adds an enormous sense of familiarity and relatability to environments. Even in its most tense moments, it's hard to ignore how gorgeous Martha is Dead is.
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